Screen Reader Mode Icon

1. Gender Equality among Contemporary Composers

With participating in this survey you will contribute to finding out, why we didn't achieve gender equality among composers yet. What do we need to do to support female composers, so they get and hold access to the world wide "market" of commissions and jobs? Do we need to support them during child-caring? Do we need female quotas in granting systems and universities? And how are the quotas presently in composition classes, among students & teachers, and in world premieres played by ensembles and soloists? Which festivals and organizers do commission women and which don't?
This is a horribly LONG survey. You don't need to answer every single question though! You can always jump to the next section if you feel bored or don't know what to write down. It will be of help though, if you enthusiatically answer as many questions as your patience allows and I would be overjoyed if you even add your personal thoughts and ideas. 

All data here is collected anonymously. Unless you explicitly write down your contact somewhere. 

I will publish the evaluation on my social media accounts and in interviews with print medias and radio stations. Keep an eye on my channels, if you're interested. 

If you have any questions about this survey, don't hesitate to contact me: sarahmariasun@icloud.com

Thanks a million for your efforts! 

And now our first section begins with: your studies!

Question Title

* 1. Are you a composer?

Question Title

* 2. At which university (ies)/academy(ies) are/were you studying?

Question Title

* 3. When did you start and when will/did you finish your studies?

Question Title

* 4. How many female composers are/were in your composition class(es) when you studied?

Question Title

* 5. How many male composers are/were in your composition class when you studied composition?

Question Title

* 6. Were you introduced to works by female composers in your studies?

Question Title

* 7. How many female composers can you spontaneously recall, without doing research or long thinking?

Question Title

* 8. Is/Was the problem of the current gender discrimination in music historiography mentioned or analysed in your studies?

Question Title

* 9. Were you introduced with the works by female music historians, scientists or philosophers in your studies?

Question Title

* 10. Can you recall any portrait of a female composer in your university?

Question Title

* 11. Next sections are to begin. Are you teaching?

0 von 50 beantwortet
 

T